Which Tulip Would You Like To Tip Toe Through?

This year I have not reported on my Intarsia project. Much like I did in past years, I spent a couple of months making Intarsia with one big difference, this year it was mainly for me. The subject I chose is simple, a stylized tulip flower. As simple as it seemed at first, I had difficulty matching parts. Before I finished, I had made five of the same design, and I had just as much trouble matching the fifth as I did the first. Clearly I am doing something wrong.

One huge benefit came from the Christmas present I bought for myself i.e. a Dewalt scroll saw. The saw is not my problem. I studied Youtube videos of Intarsia Masters giving advice on how to cut and match pieces in order to improve my technique. I used many of the suggestions from the videos, but still had trouble.

I switched to experimenting with scroll saw blades to improve. Also, not the problem. I began making cuts at an angle so the lines would have less wood in contact, things improved, but not to my total satisfaction.  At the end, I was pleased with the final result, but not pleased with my progress as an Intarsia artist.

You tell me in the poll below which flower you like the best.

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Take the poll and vote for a favorite in the comment section

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Starving Artists

In my recent post “Horn Man” I went into an overly long essay on how I went about creating an original piece of art. I’m positive I could have done a better job on a photo essay with clever captions. During the sixteen week period during which I made four Intarsia pieces I thought a lot about the business of selling art. Could I make a living doing this? Could I even make any money at all doing this?

I thought about Michelangelo and Da Vinci  and the remarkable work they did. How did they survive? The simple answer is they had patrons who supported them in return for their work. Michelangelo’s sculpture of David took him two years or more to complete. It is not easy chiseling a larger than life-size man from a single block of marble. I wonder if he had any “oops” moments during that time. I had many “oops” moments during the making of Horn Man, but glue and more wood made it easy to either fix the “oops” or to remake the part. Da Vinci had a list of patrons as well. He lived with them while he learned the trade and then worked for them afterwards. When a patron lost his place in society, and could no longer afford to patronize an artist both Michelangelo and Da Vinci found themselves new patrons. While unpatronized they took part-time work by doing commissions for the wealthy.

Getting back to my thoughts about selling Intarsia art I pondered the value of my work. Would I charge by the hour and if so, what is the value of one of my hours? I know what I made while working as an engineer, would I use that value? If  not charging by the hour, then charging by the piece would be the next way to sell. I have seen Intarsia artwork at craft fairs but never at art fairs. The pieces I see are very simple and flat in form indicating that the crafter did not put much effort into the work. I have never been satisfied with the flat style of Intarsia. My pieces become three-dimensional and sculpted. That is why they take me so long to make. If you look at my bass, or the Blue Jay you will see that these pieces are more lifelike than a flat work. The value I see on Intarsia pieces at fairs ranges from twenty dollars to one hundred dollars, unless the picture has hundreds of discrete parts. In cases where a customer commissions a complicated work the value  can jump to thousands of dollars.

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Stripped Bass

Blue Jay

Blue Jay On Apple Blossoms

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Large Mouth Bass About to Eat

When I completed Horn Man I had logged one hundred and five hours on the project. At the current minimum wage of $9.80 per hour I would have to charge  $1039.00 for the Horn Man. If I use my hourly rate as an Engineer the price is $6300.00.

Horn Man

Horn Man

Let me assume I sold each of these four pieces at one fair, and I charged the minimum wage; I would have netted twenty-seven hundred dollars. Divide that by sixteen weeks of time and my gross salary is $169.13/week which extrapolates into a whopping $8794.50/year. No wonder people would rather be on welfare.

The reality of doing something I like loses to what I have to do to make a living wage.  Some of the latest spin by Liberals about why we need the Un-Affordable Care Act is that a person would be free to pursue his dreams if he didn’t have to worry about paying for health care. I recommend reading two recent articles, the first by Avik Roy who wrote a piece published by Forbes and a quote by Nancy Pelosi on Redstate.com

The idea of forcing me to pay for someone else’s dream smacks of slavery. It is different if I choose to patronize that person. Neither Michelangelo nor Da Vinci had healthcare benefits but they followed their heart’s desire to become experts in their field of art and invention by getting a job working for a patron.

Obama is transforming America into a socialist Utopia(Utopia is a place where pigs fly), and to do that he has to make the middle class worker like you and me into a tax-slaves who pay for those who follow dreams without a job. I don’t know about you, but I sure as heck would rather be free to work my ass off as I see fit, and to spend my wages the way I want to.

Horn Man

A year ago I got the bug to make some Christmas gifts. I began a project in late November to make twelve Intarsia flowers for the women in the family. I struggled to complete five in time. The project over whelmed me. This year, I began making gifts in September thinking it would be enough time. Except, the people I made gifts for had aged and I no longer felt comfortable making teddy bears for my grand kids. When I began Intarsia, my oldest grandchild was four. Today that same child is nineteen. When it all started as a hobby, I set a goal to make an intarsia piece for each grandchild. I managed to give my first three kids a hand-made intarsia art piece. Then there was a lull in grandchild production. By the time new kids were born my life had changed dramatically. Four more kids came. Dan was a toddler when my wife Barb had her heart attack, and my drive to make intarsia art faded to zero. Barb died, and three more kids came during my grief. I lost the idea, until last summer when I realized my life calendar is running down. The idea of making Dan a teddy bear didn’t compute because he is thirteen now. The same went for the rest of the kids, they are eight and ten. I took care of my ten-year old grand-daughter last year with a flower. The two youngest are brothers and are avid fisherman, each got an intarsia fish, Brad got a largemouth bass, his brother Ben a stripped bass. So that left me with Dan.

Most Intarsia wood workers are craftsmen not artists. They make the art from pre-designed patterns. I did this for the flower and the two fish. I bought pre-designed patterns and made the art-piece as a craftsman. I decided to design the last work from scratch. I had made enough art-pieces to feel comfortable with the art form and needed to jack up my experience a level.

I thought long and hard about what kind of piece to make for Dan. He is not a fisherman like his cousins, he is a swimmer, and a very good one. I couldn’t imagine how to design a piece of art made from wood to depict swimming. I am not creative enough, but I did vision him playing his trumpet.

I called his father and asked him to photograph Dan while he practiced. I received two photos and chose one to work with. At first, the project excited me, then fear took over. I froze with the fear of actually designing a piece and executing it. For two months, I could only think about how complicated a work I had decided to take on. I procrastinated by making the two fish ahead of the one I designed. My design would be the reward for completing two projects ahead of time.  By the time I got started on the Horn Man it was November which is a short month in the wood shop because of Thanksgiving and Christmas decorations.

I finally began with my grand-daughter who helped me transfer the photo into a line drawing. Once I had the line drawing it took a couple of days to decide where the cut lines would be, which colors of wood I needed, and which direction the grain would run.  Actually, this was the easy part since I have spent over forty years in a business which relied on my visualization and transfer of designs into workable drawings.

With the baby steps initiated, I began to gain confidence in completing the piece. There were several set-backs along the way. The largest cost me too much time. Originally, I decided to make the piece a traditional two-dimensional intarsia piece. There was no way for me to execute a two-dimensional design easily. I needed to shim some parts and to slab cut others to create the third dimension. Making the trumpet was one such set-back. I scrapped what I was doing and chose to make a three-dimensional trumpet, except I didn’t have enough information to make a 3d horn. I spent time on the web searching for images of trumpets and printed out several pages of trumpet details to study.

It became clear that the Christmas deadline could not be met. Lucky for me that Dan lives in Texas and I was going there in January, so the deadline moved to mid-January.

I finished the Horn Man a week before Peg and I were leaving for the West. Just before the final glue together, I felt the piece needed something else and I decided to add the musical score. A month earlier I acquired a piece of wood which was perfect for the music, it is so dark it looks black. The wood was a nightmare to cut. It is so dense I wore out many saw blades before I finished the music lines and the notes. Four days later I finished it, then I scrapped it because it overwhelmed the piece with its size. I was now three days away from leaving for Texas. They say necessity is the mother of invention and I redid the music using some very thin plywood that cut super easy enabling me to finish the music in four hours. The end result turned out to my satisfaction.

The photos tell the story.

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Dan Practices Trumpet

The Photo Transferred to a Line Drawing

The Photo Transferred to a Line Drawing

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Lots Of Loose Pieces With Some Minor Shaping On Some.

Starting To Take Shape

Starting To Take Shape

Facial Detail

Facial Detail

Hand and Valve Detail

Hand and Valve Detail

What's A Horn Without Music?

What’s A Horn Without Music?

The Music is Too Loud!

The Music is Too Loud!

Horn Man

Horn Man

 

Simple Flower Beauty Contest

I need your help folks.

Please judge the five Intarsia flowers below and tell me which one you like the best.

All five were hand crafted by Grumpa Joe in Santa’s workshop while Santa held Grumpa hostage and worked GJ’s fingers to the bone.

Have a very Merry Christmas!

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Flower A, Cedar, Pine, Poplar

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Flower B, Mahogany, Walnut, Poplar

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Flower C, Poplar

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Flower D, Pine, Cedar, Poplar

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Flower E, Walnut, Oak, Pine

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Vote by taking the Poll below:

An Art Piece Turns Into a Rant

Simple Flower by Garnet Hall

Simple Flower by Garnet Hall

I have not been posting more often because I am preoccupied with an artistic project that consumes my entire energy. Several years ago, I began making Intarsia pieces for my grandkids. Intarsia is a form of artistry using woods of different color, grain and shape. Think of it as a picture made from wood.  At the last-minute I decided to give Christmas gifts that come from me, and not from my pocket. I won’t make it. At a minimum, I need twelve Intarsia pieces to give the people on my list. So far, I have completed one. That means I have to make one piece a day from now until December 19 to make it happen. So far, the first piece has taken me twelve hours of labor to complete.

Yes, there is a learning curve, which I am quickly re-learning from my last Intarsia project.(about ten years ago) but I have a lot of work ahead of me. My body doesn’t like the long hours spent cutting, fitting, carving, and sanding each piece of wood into a work of art. At the end of a session, my neck hurts like hell, my feet are tingling with needles, and my back aches beyond belief.

Most commercial Intarsia Artisans are satisfied to keep their wood pieces flat with only the edges rounded. When I see work of that type, I cringe. My pieces need a three-dimensional reality. It takes time to make that happen.

I lost precious time just finding my carving chisels, my sand-papers, and setting up my band saw to cut precisely. At one point in the middle of an intricate curve, the saw blade stopped dead, yet the band saw motor kept running. I realized that the blade I was using had cut plastic, metal, frozen meat, and many other materials. The points were missing from the blade. I wound up replacing the blade. Thankfully, I had a spare on hand. The blade change took me an hour to accomplish as I had not done that in several years. When I began cutting again the blade wandered off the line causing me to lose time because I had to back up and restart the cut. The guide blocks needed to be readjusted closer to the new blade so it wouldn’t twist off course as much. I used a pencil to trace the design onto the wood. I could barely see the line. Little by little, I am regaining the Intarsia craft skill.

This afternoon, I went to the garage to find a box of wood pieces given to me by a friend from work. He is a furniture maker and uses a lot of mahogany, walnut, and oak.  The box weighs about fifty pounds. He gave it to me in nineteen ninety-five, and today was the first time I looked in it to see what kind of pieces there were for my Intarsia. I counted five different woods of various colors, shapes, thicknesses, and sizes. Some will be useful, but most will not. Some of the pieces may be worthy of wood carving projects.

The design I chose to make is simple. It uses ten pieces of two different color woods to create a simple flower. The most complicated project I have done is forty pieces which required sixty hours to complete.

As the project progresses, I think about the manufacturing process, and the cost of making things. If I were making the minimum wage of $8.25/hour, this project would already cost $99.00. In order to make a profit, pay for the wood, saw blades, sanding paper and such, I have to add another $99.00. The cost of this project to you would be $198.00. If you were to see this piece at a craft show and you fell absolutely in love with it you might pay $25.00 for it.

That is why manufacturers outsource work to countries where labor is cheap. In order to make this piece to sell for $25.00 my labor cost would have to be $1.04/hour. That assumes the materials and tool replacements were free.  Let’s face it folks, I can’t survive on $1.04 per hour. My lunch cost me more than my hypothetical earnings today.

What will we the sheeple of the Divided States of America have to do to create an economy that demands the hourly rate we expect and need to survive? The last input I had from experts was we need to become the information society. We the sheeple need to become the experts of the world who can charge an arm and a leg for the knowledge we possess. There is only one problem, the rest of the civilized countries in the world are on the same track.

Where will the knowledge come from? First there is education, then there is experience, then there is innovation. We the sheeple will not make it with our union burdened education system, and all of our experience went to China and other third world countries, so that leaves innovation. How will we get innovation? From ideas that we turn into products.

The former USA now the DSA is still very good at innovating and inventing. We are still capable of leading the world in this area, but there are fewer people who are able to do so. Wit a pissy-poor education system, we dumb down our young people. By teaching our people to depend on big government we numb our brains to anything but a handout. By dividing the country and demonizing those who become rich from innovation we kill any chance at new innovation.

Our Supreme leader realizes what he is doing, and yet he continues to dumb down the populace in favor of a one party system which will turn us into tax slaves who feed the elite.

Let’s face it, the current élite minds who profess to know how to save the world will be the reason for the end of the planet.

Simple Flower by Grumpa Joe

Simple Flower by Grumpa Joe